Music distribution servicesâ goal is to get your music onto streaming platforms like Spotify, Apple Music, Deezer and Tidal, as well as digital music stores, like Amazon and iTunes. Take the company Stem Music, for example. However, similar to Amuse, it’s not clear what will happen to your music if this company folds or changes its business model, and some artists are already expressing, But with free distribution and services that aim to get music sent the industry’s largest platforms within 24 hours, many musicians will see. Landr This means that prices look high for this company initially, but are actually a more than fair deal. Here’s a brief rundown of Soundrop’s current fees: $9.99 per cover song “in most cases” and a 15% royalty split. Stacked up against companies that take up to a month, that’s a pretty impressive feat. Distribution companies that only work with artists on an exclusive basis offer a plethora of extra services for a cut of the revenue they earn from streaming and download payouts. How much does it cost? In the 20th century, distribution companies were the links between record labels and retail outlets, which included music-only stores, big-box retailers such as Wal-Mart and Best Buy, and bookstores. ● Specializes in cover songs and splitting payments, ● Bad reputation, many angry customers, ● Only distributes to a small amount of stores. ROBA provides world-class global digital distribution services with no upfront or hidden costs. However, every music distribution company runs on different business models, pricing structures, and digital stores serviced. It’s not a sexy deal by any means, but it’s one that will win over lots of musicians who want to manage the administrative side of their careers in one place. It’s relatively painless to work with these companies to share your music, but you’ll need to give them time to do their jobs. One of the best things about the modern music industry is inclusiveness and conditions that make representation of artists working at every level possible. To do so, independent artists can use music distribution companies, who act as the middleman between artists and streaming platforms. iMusician gets your music on all the major streaming platforms like Deezer, Spotify, and Apple Music as well as hundreds of other places around the world. Free digital distribution to the industry’s largest music platforms, Strong data reports and analytic features, Experimental business model that could fail. In 2020, it is easier than ever to sell your music on major platforms such as Tidal, Amazon Music, Pandora, Shazam, Apple Music and not forgetting the beast that is Spotify. , for example. Every music distribution company comes with its unique strengths and weaknesses, so in order to choose the best one for your unique needs, you’ll need to look into different options to find the best fit. All fees are posted in USD. If there’s a sense of hesitancy rising up in your brain while you read this, that’s a sensible reaction. Some companies only specialize in distribution, while others (aggregators) aim to offer distribution alongside a host of other services. Here is our latest guide of music distribution services and how they compare (whether your a RouteNote artist or not). For $29 and $299 per year, the company gives labels, publishers, and managers the ability to distribute 40 artist’s worth of music through their platform. Fortunately for musicians, this presents a slew of music distribution services that are just a click away. $7.99 per single and $17.99 per album with 8% royalty split. Ditto Music was founded in 2007, and, holds the Guinness World Record for distributing the first hit song from an unsigned band. Though CD Baby is the biggest indie distributor out there, a growing field of competitors is nipping at its heels in an effort to claim the title. Not a bad little distributor, I must say. Horus Music even offers physical distribution to Amazon, a unique asset that many musicians will be won over by. But while AWAL is sort of a black box, we do know that all artists cough up 15% of their earnings to the company in order to work with them. ● Though Tunecore’s services are uncomplicated, their platform isn’t exactly user-friendly, and music can take a long time to upload. Some artists criticize Tunecore for not keeping up with the modern music industry by innovating, but again, it doesn’t sell itself as being sleek or in league with the myriad of distribution startups that are cropping up in the industry. But annoyances aside, ONErpm’s video integration expertise, marketing assets, and social media promotional offerings make it a company worth looking into. Here’s a rundown of Record Union’s current fees: Record Union offers multiple tiers of fees. Aside from a similarly massive network of partners and stores, Distrokid’s push is being 10 to 20 times faster than any other distributor to get artist music into digital download and streaming platforms. RouteNote claims to cover over 90% of the digital distribution market. But between a lack of transparency in pricing, negative reviews, an archaic website, and no added benefits, Songcast ranks as one of the lowest distributors you could trust your music with. 5. We admire people like you who dream big and dare to follow through with their dreams. But if sharing revenues isn’t your speed, you can choose RouteNote’s Premium payment tier, which offers pricing models similar to Tunecore’s initially, with just $10 a year after for renewal purposes. For $19 per year, you’ll get unlimited music distribution and loads of benefits like access to licensing opportunities and detailed analytic reports. As the slogan “Artists First” attempts to impress on musicians, ReverbNation paints itself as more than just a music distributor, but a career-maker for artists. Jenny Chang is a senior writer specializing in SaaS and B2B software solutions. This pricing model is clearly trying to loop artists into their yearly package, as well as their other services. Add the 12% market share of digital sales, and digital distribution plus streaming accounts for a total of 59% of all music industry revenues that year. Though CD Baby is the biggest indie distributor out there, a growing field of competitors is nipping at its heels in an effort to claim the title. Royalty sharing pricing models can cost artists thousands over time if their music performs well, and yearly renewal fees quickly add up over time. Offer a monthly and yearly distribution plan with a one time set-up fee. It may not be as popular as some of the other names in online music distribution business, but Symphonic surely offers a good alternative option for budding artists. Join Spinnup - the distribution service built but industry experts, designed for artists. All of the companies profiled in this guide take music and distribute it. So, how does Symphonic stack up when it comes to digital distribution? Your tracks in the ears of Universal Music's labels. Kakao M Corp. is a subsidiary of Kakao, a major South Korean Internet company that was established in 2014. Companies with similar business models have already failed, and it’s not clear what will happen to Amuse’s distributed music if it fails. But let’s press on and talk about what. It might be tempting to sign up with a new music distributor with a sleek website and flashy business model, but artists should be leery of new companies with little experience and unproven reputations. Join VerseOne Distribution. Ditto is the quintessential music distribution service without a lot of fluff. There are differences, however, which stem from the scope and magnitude of these services. What might make Symphonic a bad bet for promising musicians is that splitting royalties at a rate that high doesn’t make sense if you’re already successful enough to be accepted through the platform. RouteNote offers free distribution services for 15% of revenues, while also offering artists a premium plan that requires upfront payment but lets them keep 100% of all royalties. The music distribution company that will work best for you depends on your unique goals, resources, and identity as an artist. So, we’re not off to a good start with this one! This means that prices look high for this company initially, but are actually a more than fair deal. Noting annoyance from musicians miffed by unexpected costs through companies like Distrokid, Ditto Music prides themselves on fee transparency. But look into this company, and you’ll soon see that they’re an international player with offices in the UK and India, and an international reach. Every artist should have the same treatment. With a one-time fee of $84.95 for an album, prices for this company initially look expensive until you do the math. For $24.99 a year, Horus Music gives artists unlimited digital distribution, playlist pitching services, and access to Asian markets, a unique asset that’s becoming more and more important. Digital distribution is just one part of Songtradr’s music platform, which largely centers around giving musicians access licensing opportunities. AWAL’s A&R team looks at metrics like social media engagement, number of streams, and the quality of an artist’s work to consider signing them. This means that if you rack up loads of streams and downloads through the platform, the public statistics reflecting your success could evaporate, which could damage your career. Be nice. For $39.99 per year, full-length albums are distributed through Spinnup to all the large streaming platforms in addition to those you’ve most likely never heard of. You don’t need a record label, but going it alone through distributor will make far less of an impact than being signed would. By giving yourself lots of time, you’ll be able to let the distributors do their jobs, and will leave plenty of opportunities to promote your music before it’s officially released. Which distributors in this list are flexible with track names and artist names? At the Pro subscription level, $25 a month includes unlimited music distribution and uninhibited access to all of LANDR’s mastering services. In comparison, physical sales held 25% of the market share. i personally have been struggling to get my complaints heard , but they do not give satisfying results to that . Again, new companies are sprouting up that offer free services, but there are risks to consider that we’ll delve into later in this guide. What does it cost? Receive your free ISRC codes. And yes, that was a social media platform, but it’s an example of what happens when companies we trust fail. Where companies like Tunecore, CD Baby, and Distrokid are household music industry names, iMusician is a lesser-known digital distribution company. LANDR is a Canadian cloud-based company that specializes in mastering services. Your music on the world's biggest music platforms. , something other distributors struggle with or don’t do intentionally. Integrate distribution services into your existing site, app or platform and ensure a seamless experience for your artists and labels. Tunecore Discount:Click here to Get 25% OFF Your Subscription! With a set of useful features and competitive pricing, itâs helpful in effective and economic distribution of music. Distributors with yearly renewal fees want it this way to keep their customers paying year after year. Get noticed. Whether you’re a 50-year-old musician with a couple of Grammys under your built or a teenager who records music in your bedroom, a growing number of distribution companies are out there that can take digital forms of your music and share them online with the masses. Because rather than paying ala carte for music services scattered across the web, you can get it all done in one place for $20 a month, ReverbNation offers multiple service tiers of distribution services for. Many artists stick with less-than-ideal distributors because they want to preserve their public streaming counts. Things like funding, show opportunities, marketing assets, and playlisting services are all perks artists get in addition to digital distribution through AWAL––. Note that the value-added services incur a one-time fee. Here’s a brief rundown of Songtradr’s fees: Distribution packages start at no cost, but with no benefits and extremely limited distribution. If you make Latin music, word on the street is that there’s no better company to distribute with, especially if Brazil is home to many of your fans. The distribution itself is free of charge, but value-added services are what bring in revenue for the company. Musicinfo distribution brings your music to the most popular streaming service providers in China - Qianqian Music, QQ Music, Netease Music, Kuwo Music and many more! Global Release Planning Digital Strategy Worldwide Playlisting Artist Marketing Funding Creative Support Radio Promotion Synch & Licensing Digital & Physical Distribution. This, the website points out, is after platforms like iTunes take their share of the money earned as well. They also deliver unique packages with special marketing, charting, and mixing/mastering assets to further sweeten the deal. If you make Latin music, word on the street is that there’s no better company to distribute with, especially if Brazil is home to many of your fans. Artists with tight budgets will also be glad to know that the company offers a free tier with direct selling, but digital distribution has separate price tiers. This shouldn’t worry you if you’re in the 99th percentile of artists that can easily get work posted on major platforms, but the whole process still takes time.