Together with the two new cameras Canon EOS C300 Mark II and XC10, Canon has introduced a new video format for the 4K, 2K and HD Recording, XF-AVC. C300 Mark II boasts a CMOS sensor that combines both imaging and phase difference AF for class leading performance. 1. Fine: can be set for each 0.5dB steps. CFast card (2 slots) (according to CFast 2.0) Newly developed 8.85M CMOS sensor with dual DIGIC DV 5, the adoption of the new XF-AVC video format, to achieve high-quality 4K / QFHD video recording. The benefit of having these smaller RAW files is that they … Here are the recording details and some specifications of the Canon C300 MII camera. ... XF-AVC 4K file format is easily integrated into existing workflows, while simultaneous recording of 2K or Full HD Proxy files to the SD card in the same format, further increases efficiency in post-production. It guides you through the process of converting C300 MK II 4K XF-AVC MXF files to ProRes/DNxHD codec for use in DaVinci Resolve with optimum performance. Here are the recording details and some specifications of the Canon C300 MII camera. The EOS C300 Mark II can record high bitrate 4K files internally to dual CFast 2.0™* media, while simultaneously recording 4K RAW files to an external recorder, offering the flexibility and universal appeal for production at the highest quality available today. Built-in (OFF, 2stops, 4stops, 6stops, 8stops ※, 10stops ※), motorized Wide color LCD viewfinder (0.46-inch, approximately 1.77 million dot, 100% field of view), Lens Mount It offers 4-channel input, including a mic jack, internal monaural mic and two XLR terminals, which allow multiple sound sources to be selected and mixed to record sound with a sense of ambience. About 10 minutes, about 15 minutes, about 15 minutes, about 35 minutes, about 100 minutes Clearance: Used Canon C300 Mark II Cinema EOS Camcorder Body - PL Lens Mount (362 Hours) F MFR: 1131C002. Additionally, the ability to record 2K/Full HD Proxy files to an internal SD card, at the same time, further streamlines the production workflow process. 4096×2160 / 2048×1080 at: (focal length of the lens) × about 1.46 actual focal length (conversion factor) The heart of any Canon camera is its superb image-sensor technology. Canon EF mount, (including the EF-S lens) Canon EF lens group correspondence, EF Cinema lens group, The focal length of the time of 35mm film equivalent 35Mbps: 2048×1080,1920×1080 A computer (OS Requirements: Windows 10, Windows 8.1, Windows 8) 3. The EOS C300 Mark II boasts the iconic Cinema EOS design DNA – a modular body that can be adapted to suit the needs of each shooter and filming situation, through the extensive range of compatible accessories. 128GB (24Mbps, 35Mbps): about 710 minutes, about 485 minutes, Sensor Dual Pixel CMOS AF response manual, one-shot AF, Continuous AF, (only supported but either mode AF compatible lens) AF-Boosted MF, face detection AF, White balance File Format: XF-AVC (Material eXchange Format (MXF)) Recording Standard: Video Compression: MPEG-4 AVC / H.264: Audio Recording: Linear PCM (16bit / 24bit- 48kHz - 4ch) File Format: XF-AVC (MXF) Bit rate: Intra 410/225 / 220 / 110Mbps, Long GOP 50Mbps: Long GOP: 35 or 24 Mbps (for proxy recording on SD cards) Recording format: CFast 2.0™ Card The range features XF-AVC intra for 4K, and XF-AVC Long GOP and Proxy options for 2K/Full HD recording, both of which utilise H.264 codec, offering post production flexibility and ease of use. A Cinema EOS C300 Mark II / Cinema EOS C300 Mark II PL camera body 2. 5.9K Full Frame sensor; 4K at 50p/60p with 4:2:2 sampling Fast Forward Video Launch sideKick HD Studio Video Recorder: Panasonic DMC FZ-2500 Review Test Shots 4K from Cars And Cameras. Body, grip, monitor unit during use Canon’s new range of XF-AVC H.264 codecs, designed to be compatible with industry standard Non-Linear Edit systems, makes integrating both 4K and 2K/Full HD footage into workflows effortless, while maintaining the highest image quality. 256GB (410Mbps, 225Mbps, 210Mbps, 110Mbps, 50Mbps): Internally, the EOS C300 Mark II also includes built-in electronically controlled glass ND (neutral density) filters, which reduces the amount of light reaching the sensor by up to 10 stops in expansion mode. Viewfinder 220Mbps: 2048×1080 Using the MXF format, video and audio can be wrapped into a single file along with important metadata. CFast Cards Currently, compatibility has been verified for the following cards(as of December 2017). 225Mbps: 3840×2160 For further flexibility, shooters can opt to change the lens mount from the default EF Mount, to EF Mount with Cinema Lock, or to the industry standard PL mount, as a service option.**. The camera’s sensor read-out speed is now twice as fast as the original EOS C300, and further reduces rolling shutter distortion, allowing for crisp image capture in a moving environment, making it perfectly suited for capturing action sequences. It explains an easiest way to convert Canon C300.mxf footage to MPEG-2 (*.mov) for editing in Adobe Premiere Pro fluidly. It offers 4-channel input, including a mic jack, internal monaural mic and two XLR terminals, which allow multiple sound sources to be selected and mixed to record sound with a sense of ambience. The EOS C300 Mark II records 4K and HD clips to CFast cards, and proxy clips and photos to SD, SDHC and SDXC cards. 16GB (24Mbps, 35Mbps): about 85 minutes, about 60 minutes Amazingly, this is not mentioned in the Canon specs. File format 32GB (410Mbps, 225Mbps, 210Mbps, 110Mbps, 50Mbps): About 2,910g High bitrate internal 4K recording with external RAW. Filmmakers can select the resolution and codec type that best suits their production, with the EOS C300 Mark II capable of shooting at up to 30P in 4K or up to 120P in 2K/Full HD. (width × height × depth) 1-stage, 1/3-stop setting Seamlessly integrate with professional workflows. ... MOV, MP4, MTS files to other format on Windows are the same. Using the XF-AVC codec, the EOS C300 Mark III can record a variety of frame fates up to 4K 120p and 2K up to 180p. The camera is also the first Cinema EOS model to feature brand new Canon Log2 technology, which enables the 15-stops of dynamic range, significantly wider than previous Cinema EOS cameras. These include enhanced Dual Pixel CMOS AF (now covering approximately 80% vertical x 80% horizontal of the image display), Auto White Balance and Face Detection AF, all of which make it easier than ever before for independent news gatherers and documentary filmmakers to shoot on the go without having to worry about settings. Edit Sony FDR-AX53 XAVC-S video in Premiere Pro. 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Newly developed 8.85M CMOS sensor with dual DIGIC DV 5, the adoption of the new XF-AVC video format, to achieve high-quality 4K / QFHD video recording. About 190 × 183 × 187mm It records in the XF-AVC Intra format that offers both outstanding quality and ease of editing. 2.0 POSITIONING THE EOS C200 AND THE EOS C300 MARK II 2 3.0 THE 4K UHD / HD YCrCb 4:2:0 @ 8-BIT RECORDING FORMAT 4 3.1 A World of High Quality Digital Production 4 3.2 A World of Low Cost Digital Production 5 4.0 COMMON IMAGING SYSTEM IN EOS C200 AND EOS C300 MARK II 6 Grip when mounted Canon 5D Mark II vs Canon 5D Mark III: How Does it Compare? Write a comment Summary: If you want to import Canon C300 Mark II MXF to Cyberlink PowerDirector, just convert MXF to MPG so that you can edit Canon C300 Mark II MXF in PowerDirector smoothly. Video Size SYRP Genie II Coming With 3-Axis Motion Control Video, Time-lapse, Panorama Modes, Kessler Introduce the AutoCam360 Line of Products. Effective pixels: about 8.29 million pixels (3840 × 2160) / about 8.85 million pixels (4096×2160) Canon is now caught between a rock and a hard place. Can I transfer and play H.265 video files on PS4 console? I can't seem to find any info on this: Both the C300 mk II and the C200 name the proxy files recorded onto SD cards differently than the full res files recorded to CFast cards. The EOS C300 Mark II camera supports both ACES and REC.2020 workflows, and utilizes the Material Exchange Format (MXF) for its file structure. ※ both including two battery pack BP-A30, CFast card. Check the dimensions and look for the Canon C300 MKII camera: Canon has unveiled the EOS C300 Mark II, a new 4K Digital Cinema Camera allowing filmmakers and broadcast producers to realise their creative vision in stunning cinematic detail. Step 2. Nominal DC 14.4 V (battery pack), DC 16.7 V (DC IN), Dimensions To create digital files robust enough for major post production work, the C300 Mark II delivers high image quality with its XF AVC Codec – an H.264 format wrapped in the widely-supported MXF wrapper. Canon Log Gamma 2. 8GB (24Mbps, 35Mbps): about 40 minutes, about 25 minutes It uses compression MPEG-4 AVC / H.264 and stores … [100 ※ – 160 – 25600 – 102400 ※) The camera offers new versatility for sound recording too, supporting 4-channel audio recording in 16- or 24-bit and 48 kHz. The Panasonic EVA-1, Blackmagic URSA Mini G2, and Sony FS7 Mark II are all cheaper than the C300 Mark II. The EOS C300 Mark II supports LPCM 24-bit/48 kHz audio for sound quality that is superior to CD. Canon touts that it offers dynamic range up to 1600%. (adsbygoogle = window.adsbygoogle || []).push({}); Camera News, Reviews, Gear to Use, and Plenty of Cool Videos to View. MXF is an internationally standardized container format for the exchange of video and audio material. About 190 × 265 × 226mm (Or you can drag & drop the XF-AVC MXF files to the software’s window list.) EOS C500 Mark II has the newly developed DIGIC DV 7 high-speed image-processing platform that allows for high-quality 4K 50p / 60p recording, oversampled from the 5.9K full-frame sensor. Wooden Camera Lightweight Compact Mattebox, the Zip Box Pro, Compact Powerful Aputure AMARAN AL-MW Mini LED Light Packs a Punch, A Quick Look at the ALEXA LF Camera's Picture Quality, SmartCAM Horizon Brushless Monitor Stabilizer... 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Rod clamp RD-1 The Canon RD-1 rod clamp can be mounted to the EOS C300 Mark II, allowing the operator to use a 15mm rod for additional rigging purposes. Sony Expands XAVC Format Ramps Up 4K Development and Drops XAVC S: Sony IMX183CQJ 5K 25fps 4K 60fps CMOS Sensor. If you were doing a color pass, normally you would use the file names to connect back to the full files after editing in Resolve, but that is not possible here.